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Runtime 1h 35min
Color Color
Sound mix Dolby DigitalDolby Atmos
Aspect ratio 1.85 : 1



Storyline
A young boy experiences an unforgettable seaside summer on the Italian Riviera filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the ocean's surface.

Lorenzo and Daniela soon discover what Luca has been doing and decide that to keep Luca safe, he should be sent deeper into the ocean to live with Lorenzo's brother Ugo. Distraught, Luca runs away to the city of Portorosso with Alberto. There, they learn of the local bully and repeat champion of the Portorosso Cup Race, Ercole Visconti. Just as Ercole is about to dunk Luca's head into a fountain which would expose his identity as a sea monster, he is saved by a young girl named Giulia Marcovaldo. Giulia takes Luca and Alberto to her house where she lives for the summers with her one-handed father Massimo, an expert fish hunter seeking to kill a sea monster.

Meanwhile, Daniela and Lorenzo are unable to find Luca anywhere, so they decide to go up to the surface to locate him. They begin splashing water on all of the boys there in an attempt to find Luca.

Luca, Alberto and Giulia decide to enter the Portorosso Cup Triathlon together in hopes of winning money to buy a Vespa. The triathlon consists of three races: swimming laps, eating pasta, and riding a bike through the town. Each child decides to take up an individual task: Giulia takes up swimming, Alberto takes up eating pasta, and Luca takes up riding a bike after learning how. Over time, Ercole starts to become suspicious of the boys, and Luca and Giulia start to become closer to each other. When Giulia talks about going to school in another part of Italy where she spends the rest of the year, Luca develops an interest in it. Alberto becomes jealous of Luca and Giulia's growing friendship. After an argument, Alberto reveals his identity as a sea monster to pers. Luca does not do the same and instead acts afraid of Alberto, leaving Alberto to retreat to his hideout feeling betrayed.

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❍❍❍ TV Movie ❍❍❍

The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World Movie inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco Luca Season was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last Luca out among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ Formats and Genres ❍❍❍

See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional Movie). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the Movie could be broadcast in any order.Since the 1980s, many Movie feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television Movie to have this kind of dramatic structure,[better source needed] while the later Movie Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.In “DC1&”, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In “DC1&”, Academy-Award-winning film director Steven Soderbergh , commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

copyright protection

Copyright as one of the fields of intellectual property rights is related to the protection of products that are the result of human intelligence. The domain of copyright is the protection of literary and artistic works, including writing, music, works of art such as paintings, technology-based works such as computer programs, electronic databases, and others. Those works that are Creations, which when published on the Internet in digital form, still enjoy protection. This is established in article 1 point 5 of Law n. 19 of 2002 in relation to copyright, that announcement is the reading, transmission, exhibition, sale, distribution or diffusion of a work through the use of any medium, including Internet media, or doing so in any way so that a work can be read, heard or seen. by others others.
The above article shows that copyright protection covers digital content regardless of the form in which it is found or the medium by which it is distributed. Copyrighted information in analog form remains protected when converted to digital form. For example, an article, song, image or photo that circulates or is distributed over the Internet will continue to receive protection as a work.
Copyright protection cannot be guaranteed without a law enforcement infrastructure, and it is not done around the world either. Generally, legal procedures to enforce copyright laws are predominantly regulated by national laws and are carried out in the hands of national authorities. However, there are a number of multinational or regional instruments that address minimum obligations and non-binding standards of national authorities with respect to the application of intellectual property rights law in general and copyright law in particular. For the international arena, due to territorial and procedural costs, more and more disputing parties use alternative mechanisms to resolve their disputes.



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